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Review: WEDNESDAY (2005)
Wednesday (2005)—**** What is Wednesday about? Is it about love? Is it about redemption? Is it, in fact, an exercise in narcissism? To all three I would say yes, but Wednesday, a unique and experimental film, is above all things a work that struggles with its own ambitions. For most films that would be a criticism. For Justin D. Hilliard’s feature debut, however, it is anything but. With those ambitions intact, the film becomes a harrowing journey through four stories. One is...
Read MoreMovie Review: THE 40-YEAR-OLD VIRGIN (2005)
The 40 Year-Old Virgin (2005)–**** If one great thing came out of the cancellation of Freaks and Geeks and Undeclared, it must be The 40 Year-Old Virgin. The TV series, which revealed in the awkward geekdom of high school and self-reinvention in college, respectively, lead up to Judd Apatow’s comedic examination of the insecurities that affect men as the age and still can’t seem to find a place in life. Andy (Steve Carrel) is the package deal when it comes to male anxiety....
Read MoreMovie Review: ALIVE AND LUBRICATED (2005)
Alive and Lubricated (2005)–**1/2 I was honestly scared watching the first ten minutes of the Butler Brothers film Alive and Lubricated. Pop savvy dialogue. Sex from the male point of view. Was this an uninspired rip-off of Clerks? Thankfully, the answer is no. Alive and Lubricated does have it’s setbacks, but none have much to do with a damning comparison toClerks. Dedication to the characters and a better eye for filmmaking certainly stand in the face of most Kevin Smith comparisons. Where the...
Read MoreReview: BRIDGET JONES: THE EDGE OF REASON
Bridget Jones: The Edge of Reason (2004)–** At the end of Bridget Jones: The Edge of Reason, I couldn’t help feeling our loopy heroine Bridget wasn’t good enough for the charming and oh so adorable Mark Darcy. I doubt that’s the reaction I was supposed to have, considering this is the sequel to one of 2001’s the best movies. The Edge of Reason still revels in the woes of the single, thirty-something woman in the 21st Century, and doesn’t let the...
Read MoreFemale filmmakers are more independent
The war being waged against the Hollywood mainstream by independent filmmakers may be an arduous battle, but thanks to the growing number of female warriors, indie film’s army is getting a little bigger. Take Megan Holley for example. The female director has gone around the country screening her cloning drama, The Snowflake Crusade, at festivals and was at Penn State Erie last October to participate in the Screen Visions Independent Film Series. Since then, Holley has been actively preparing for...
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