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The Black Donnellys review
The pilot episode of The Black Donnellys, a new series from Crash writer/director Paul Haggis, is not good. It’s a lightweight, CW-quality episode that doesn’t do justice to what this show will with any luck achieve. But the potential makes the pilot invigorating. This episode, and hopefully only this episode, is told from the perspective of Joey Ice Cream (Keith Nobbs). His galling narration, which he gives as part of an interrogation, rushes the story of the Donnelly brothers along with only the...
Read MoreIn the Lyons Den: Mid-Filming Report
Part Six Director John C. Lyons called it a mini-meeting. It was a quick chance to show the crew members how far they had come. It was a chance to get them fired up. When Lyons showed the crew, on paper, just how far the production had come, the long weekends and weeknights were put into the proper perspective. They had made it past the halfway mark in filming the independent feature Schism. Being halfway done with filming is...
Read MoreReview: ALPHA DOG
Alpha Dog–*1/2 Alpha Dog may be Nick Cassavetes worst film, but not because it isn’t a cinematic topic. Quite the opposite is true. The story of the 20-year-old California drug dealer Jesse James Hollywood had movie written all over it. His name is Hollywood, after all. Instead of letting that story be the guide, Cassavetes tries to get more creative than his limited talent can handle and cracks the solid foundation that was already laid. Jesse James Hollywood is renamed...
Read MoreMovie Review: CHILDREN OF MEN
Children of Men (2006)–**** It’s a beautifully sobering experience to watch Alfonso Cuarón’s Children of Men. Rarely does a film so daring and visionary hit the silver screen with the heartbreaking ferocity of Cuarón’s envisioned future. Beyond the technology, it’s hard to tell that Children of Men does in fact take place in the future. The world in 2027 has spiraled downward so fast that the gloomy, surreal reality is hard to accept. Major cities have turned into slums, war zones or...
Read MoreIn the Lyons Den: Photography
Part Five Schism director of photography Dorota Swies wants people to remember one word when it comes to director John C. Lyons’ first feature: serious. When you see the photography, know that the crew took a serious amount of time working on lighting and framing. When an actor is wearing the right costume at the right time, know that they seriously strived for continuity. Other than the director, Swies is the one individual who can tell you just how...
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